We wanted to make use of Brooklyn’s scope and diversity (in every sense of the word) as a backdrop for police stories. Brooklyn is the exact opposite - not just because it’s a bustling metropolis instead of a sleepy Anytown, but because it’s famous and specific and well-known, which is exactly why we chose it. It began as a blank slate, and took thousands of pitches and 100+ episodes to create. With Parks, the idea was to create an entire fictional town that was a sort of “Anytown, USA.” The composition of the town has been slow, deliberate, and painstaking, in terms of fleshing out the details - the citizenry, media personalities, geography, etc. But how do you approach building your version of each sort of place? Obviously there’s a difference between setting a show in a town like Pawnee, which is real, but not somewhere a national television audience is familiar with, and Brooklyn, which is a cultural icon.
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Schur and I chatted about the difference between a (somewhat) blank slate like Pawnee versus a national icon like Brooklyn, how to avoid stereotypes in crafting regional shows, and whether we’ll ever get to see Dean Winters as The Vulture, the scourge of the Brooklyn Nine-Nine detectives, again. The man responsible for overseeing Pawnee’s development, Michael Schur, is tackling another challenge this fall, a riff on Brooklyn that starts in a police precinct: Brooklyn Nine-Nine.
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And one of the richest and most hilarious is Parks and Recreation’s fictionalized version of Pawnee, Indiana, which is full of recorder-playing cults, fast food addicts, competing tween rental clothing stores, and the most deranged Jewish family in the Midwest. But some of the funniest shows on television inhabit their own, deeply developed worlds, from The Simpsons Springfield to the pillow forts of Greendale Community College in Community. Samberg is managed by Mosaic, Schur by 3 Arts.Some sitcoms take place squarely within the four-odd walls of a house or apartment complex, a legacy of the multi-camera shooting style that limited shows to a finite number of sets. Samberg, Schur and Goor are repped by UTA. He can also be seen in the features Celeste & Jesse Forever and is heard opposite Adam Sandler in the animated box office hit Hotel Transylvania after recently starring opposite Sandler in That’s My Boy. Samberg is currently starring on the hit BBC Three sitcom Cuckoo, where he plays an idle young American who marries a British girl and comes into conflict with his wife’s overprotective father (Greg Davies). The casting of Samberg will no doubt turn that into a pilot order once the script is completed.ĭuring his seven-year stint on Saturday Night Live, which he left this summer, Samberg, along with his Lonely Island cohorts Akiva Schaffer and Jorma Taccone, helped usher the venerable sketch comedy show into the digital age with their viral digital shorts, including megahit “D*** In A Box” featuring Timberlake, which won them an Emmy.
In a fierce biggest bidding war, Schur and Goor’s pitch landed at Fox in August with a rich pilot production commitment.
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